He described the major pro-Israel lobby as an organization “for whom the only thing more frightening than democracy being allowed to run its course is an end to genocide and Netanyahu’s wars.”
i mean i get it. i’m disabled. i had three weeks from my diagnosis to my first real death threat. not my first death threat, the first one that was actionable. the first nonactionable threat only took a few days. i’d have immigrated, like, anywhere by now if there was anywhere that took disabled people. and i’m literally the best in the world at my instrument.
just a little, i’m putting things together. forgive me for being purposefully vague. the last person to do what i do on my instrument, which i cannot yet own because it costs as much as a house in the statesian midwest, did what she did in 1979. almost no one knows her name because it’s a very obscure musical instrument. you only know her name if you play the instrument. she has a technique named after her. i have a technique named after me. there are two people with techniques named after them. i got my technique named after me about ten, maybe fifteen years ago (covid fucked with my sense of time) when i was developing it with a guy named mark in utah. i wanted to call it the gimme, he named it after me and I didn’t quite get what an honor that was. then i saw my photo on the professional musicians association website last month. from the last convention i attended two decades ago. it’s blowing my mind. that’s about it.
i mean i get it. i’m disabled. i had three weeks from my diagnosis to my first real death threat. not my first death threat, the first one that was actionable. the first nonactionable threat only took a few days. i’d have immigrated, like, anywhere by now if there was anywhere that took disabled people. and i’m literally the best in the world at my instrument.
Can you tell us more?
just a little, i’m putting things together. forgive me for being purposefully vague. the last person to do what i do on my instrument, which i cannot yet own because it costs as much as a house in the statesian midwest, did what she did in 1979. almost no one knows her name because it’s a very obscure musical instrument. you only know her name if you play the instrument. she has a technique named after her. i have a technique named after me. there are two people with techniques named after them. i got my technique named after me about ten, maybe fifteen years ago (covid fucked with my sense of time) when i was developing it with a guy named mark in utah. i wanted to call it the gimme, he named it after me and I didn’t quite get what an honor that was. then i saw my photo on the professional musicians association website last month. from the last convention i attended two decades ago. it’s blowing my mind. that’s about it.