

Yeah. I feel that a lot of later 20th and early 21st century work has shifted from deconstructionism to some form of constructionism, attempting to build from culture rather than demolish it to its core items. I just don’t know what that will look like.





Usually what makes it worth it is if the person in question has any works under copyright. It is usually fair game to make an unauthorized biography of a politician since very little of their public work is protected. In contrast, various artists, especially singer-songwriters, generally need to have their works be official since the copyright holders want control over how the artist is portrayed.